In 1993, Bob Babbitt was flown into Philadelphia to play on a
In 1993, Bob Babbitt was flown into Philadelphia to play on a
recording session for 60’s teen idol Bobby Rydell. The recording
engineer, unaware of who the mystery bass player on the floor was,
turned to the producer with an ear-to-ear grin after Bob had played
just a few notes and said, “this isn’t just any bass player, is it?”
Over the past four decades, Bob Babbitt has transcended
the supportive, background role of electric bassist
to become an institution, an icon of the groove so
to speak. As a major role player in the Detroit,
Philadelphia, New York and Nashville recording
scene from the 1960’s through the 1990’s, Bob’s
bass lines have graced over 200 Top 40 hits.
To date, over 100,000,000 recordings featuring
Bob’s bass artistry have been sold, including
landmark recordings like: Marvin Gaye’s “Mercy
Mercy Me and “Inner City Blues”. Stevie Wonder’s
“Signed, Sealed and Delivered”. Gladys Knight’s
“Midnight Train To Georgia”. Smokey Robinson’s
“Tears Of A Clown”. Diana Ross’ “Touch Me In The
Morning”. The Spinners’, “Rubber Band Man”. The Capitols’
“Cool Jerk”, Edwin Starr’s “War”. Gloria Gaynor’s “Never Can
Say Goodbye”. Robert Palmer’s “Every Kind Of People”, and
Barry Manilow’s “Ready To Take A Chance”.
That Philadelphia engineer’s ears were right on target. Bob Babbitt
was never just “any bass player”.
“It’s probably safe to say that every minute of every day, 365 days a year, Bob Babbitt’s bass is pumping out of some radio station somewhere.” Rick Suchow - Bass Guitar Magazine (Jan, 2010)
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